The Magic of Crane Flies

A short story

Photo by the author

This week’s story was my first entry into the Not Quite Write flash fiction contest. The challenge includes three prompts. One of the three is what they called an “anti-prompt” where the requirement is to break a named writing rule. For the round that I entered, the rule to break was “use active voice.” The other two prompts were: include the word “crane” and include the action of burning something.

I enjoyed writing the story, even if I didn’t place in the contest I still ended up with a nice little story to post here.

The Magic of Crane Flies

Erin Welch dropped the match onto the brush pile, and with a crackle, the dry tinder ignited. The leaves were burned in the evening, because that’s the way it was always done, as her grandmother had taught her. Leaning against her rake, Erin studied the sparks rising into the dark–orange blooms against the purple dusk. The autumn scent of wood smoke filled the air. Soon, they would be drawn to the light.

Minutes later, when the glow lit up the trees, the first crane fly brushed against her cheek. She captured it in her cupped hands, and its six spindly legs tap, tap, tapped against her palms. Others arrived, drunkenly flying above the flames, their wings reflecting amber light. Easy to believe they were faeries, with their long bodies and large eyes.

Erin’s grandmother, Dinky, had always said that crane flies were made for magic. During their short lives, they never ate. Instead, they spent their time reproducing for their next cycle stage. Such determination to foil death had led to their kind surviving for millions of years. Across the yard, inside Dinky’s cabin on the fireplace mantel, was proof–a fossilized crane fly, stamped on a chunk of shale.

“Capture one and it’ll grant a wish,” Dinky had said.

Adulthood cares banished belief in enchantments. Until now, the week after her grandmother’s death. Careful not to damage the trapped insect, Erin whispered her request and released the crane fly.

It joined its mates above the flames, as sparks swirled and joined to form a familiar figure. Before Erin could blink away the apparition, her dead grandmother stepped beside her.

“Nothing like a good fire.” Dinky held her hands out to the flames, as though to warm them. Her body flickered like a pixelated image. As in life, her ghost stood barely over four feet tall, her short stature the inspiration for her nickname.  

“Grandma?” Erin’s breath hung in a cloud. The night air turned winter cold. She edged closer to the fire for warmth.

“Who calls me?” Dinky turned, searching as Erin stood beside her.

“I’m here.” There were so many things she wanted to ask her grandmother. She tried to touch the ghost, but her hand passed through.

Gusts of frigid wind scattered the burning leaves. Erin rushed, stamping out pockets of flames. When she finished, Dinky’s ghost had vanished.

“No!” Frantic, Erin tossed handfuls of dried leaves onto what remained of the fire. Despite her efforts, only sparks floated above. The ground circling the fire held dozens of the crane flies, their stick bodies motionless. She dropped to her knees, the cold soaking through her jeans as she scrambled, hoping to find one alive.

She wanted more time. So many things left unsaid. She strode to the cabin and went inside. The wish had only lasted for as long as the crane flies lived, so what better magic than something captured forever? Erin picked up the fossilized crane fly and made her wish.

The End

The Price of Guilt

A short story from the 2022 NYC Midnight Flash Fiction Contest

Photograph by the author

In November 2022 I made it all the way to the final round of the NYC Midnight Flash Fiction Challenge. The story I submitted didn’t land on any of the prize levels, and I filed it away until in 2024 when I reworked it into a tale that was accepted and produced for the Drew Blood’s Dark Tales podcast. Writing is often like that, we take scraps of ideas and piece them together like a quilt. This story changed quite a bit from the original, but one thing that stayed was the object that had been one of the NYC Midnight prompts – a cloche.

Here is the original story, in its unedited glory. Once again, I hope you like it, but if you don’t – don’t tell me.

The Price of Guilt

Beth pulled up the email with the instructions for the rental cottage’s lock. Assured a late arrival would be okay, she grabbed her bag and the half-empty wine bottle from the passenger seat. A single yellow bulb illuminated the porch. In its glow, she studied the damage to her car. A crack zigzagged down the front bumper. Clots of dark red liquid were smeared across the damaged running light.

Hurrying to the front door, she imagined the crunch of steps behind. Inside the house, a tiny fireplace took up one wall, bookcases on either side. Scattered among the dusty books were dozens of cloches. The bell-shaped covers reflected the light, concealing their contents until Beth stood close enough for her breath to fog the glass.  

Each cloche held a tiny woodland tableau, filled with moss, twigs, and stone chips—scenes from fairy tales. The old stories, where starving children wandered lost in the woods and maidens had their hearts carved out by jealous witches. Desiccated butterflies, with their tattered wings, clung like fairies to miniature branches. Scattered within the greenery of one were the delicate, yellowed bones of a small animal.

She found the bedroom at the end of a short hall, across from a bathroom no larger than a closet. The antique door knob turned with a squeal as the door opened on rusted hinges. Beth dropped her bag on the bed and gazed at the four walls. There were no windows in the room.

The metal framed bed took up one wall, and a scarred oak dresser rested across from it. Another cloche sat atop the dresser. This one held a miniature replica of the cottage, and a screen of tiny trees. Minuscule bits of rock trailed along the inside front of the glass, circling to the tree line.

She pressed her palm to the rough texture on the blank wall, then tapped across the area with her knuckles, expecting to hear a hollow sound. When she realized the missing window would have faced the edge of the forest outside, she shivered, grateful to have missed that view.

The pipes in the bathroom groaned and rusty liquid spun down the drain, the color like bloody water. Gagging, she retreated to the bedroom to undress and snuggle under the heavy patchwork quilt. She took one last check of her phone. No messages. 

She woke from a dream that drifted from her memory like smoke. Cavernous darkness surrounded her. Beth fumbled for the bedside table and her phone. Her hands met open air. She stood. Sweeping her arms out, her fingers brushed across the textured wall. She traced her steps back to the bed, but somehow missed it. Her back thumped the far wall.

Her heart thudded. The taste of sour wine rose in her throat. She scooted sideways to the next corner, then to the next, and the next. Finally, her hip bumped against the dresser. She brushed her fingertips over the cloche’s cool, rounded glass. For a second, she closed her eyes and when she opened them, a window appeared in the wall.

The moonlight streaming through the opening revealed the dresser as the only furniture remaining. No door, no bed, no table, no purse, no luggage, no phone. A sound escaped her, half-gasp, half-laugh. Taking a breath, she shook her head. Cool air brought the clean scent of pine and juniper. The walls and ceiling of the room pressed upon her, as though they shrank with each breath she drew. Outside, the open expanse called to her. She climbed through the window.

Ahead, the tree branches dipped in the wind, waving her forward. When she came to the road, she strolled on, despite the bite of gravel under her bare feet. Tire marks dug into the soft earth of the shoulder. The accident had been miles back, but here, dark blotches dotted the grass. A path of flattened weeds led into the brush, as though something large had dragged itself from the road. The tree trunks at the edge of the forest held strange symbols carved into their bark. Runes, scratched into the pale inner wood. The hair rose on her arms.

“An animal,” Beth chanted. “It was an animal.” Her mind recalled the stooped figure rising in her headlights, two black shapes like horns sprouting from its head. A deer. Wouldn’t a person have cried out? It happened so fast – in the time it took for her to glance at the phone in her hand.

A strangled cry sounded, half moan, half growl, like no animal she had ever heard. Beth jumped and raced back to the cottage. If she didn’t look, she wouldn’t know.

The space was back to how she’d found it. Door straight ahead, bed to her right, with the covers thrown off as she’d left them. When she glanced behind her, the wall had closed. No more window. Rushing to the door, she jerked it open. Down the hallway, through the living area, to the front door and then outside again. She didn’t stop until she crashed into a solid barrier. Knocked off her feet, she moaned and crawled forward, one hand held out. Stumbling upright, she banged her fist against the hard, clear surface. Glass.

“No!” She crawled to the cottage and inside to the windowless room. The dresser top sat empty—the cloche gone. Her world tilted, the floor beneath her swaying like the deck of a ship. She fell. Scrambling to her feet, she spilled from the room, rushed down the hall and out the front door. A huge red eye stared at her, distorted by the curve in the glass. It placed the cloche, her world now, on the shelf, then left. At the doorway, the thing crouched and lifted its horned head. The silhouette was exactly how it had appeared in her headlights. Beth stumbled backwards into the cottage. She stretched out on the bed in the windowless room and closed her eyes at last.

The End

If you’d like to hear the story inspired by this one you can listen to Drew Blood’s podcast on YouTube here.

Afterlife Positions Available

A short story

I submitted the story below to a contest recently. It didn’t place so I’m sharing it now. In this one the genre was open and I was assigned two prompts that had to be included: career advisor and mosaic. I went with fantasy/magical realism with a humorous touch. I hope you like it, but if you don’t, please don’t tell me.

Afterlife Positions Available

An hour and ten minutes after Ellen Tyler collapsed into the koi pond at the Dallas Arboretum, she woke in a sterile white room. A fluorescent light buzzed overhead. Was this a waiting room, in a clinic or hospital? She hoped they took Medicare. Puzzled, she patted her chest. Her clothes – the same cargo pants and matching shirt she had dressed in that morning – were dry and clean.

Right before splashing in the pond, she had felt nauseous and dizzy. She had leaned over, snapping a photo of an orange carp, until a sharp pain in her arm made her drop her iPhone into the water. When she reached to retrieve it, she blacked out. Afterwards, blue and red flashing lights, shouting, and her sister Trina’s shocked face filled some of the blank spots in her memory.

The door on the other side of the room swung open and a tall, wide man filled the doorway. He wore a wrinkled gray suit and had the pleasant, smiling expression of a television weatherman predicting sunny weather.

“Hello! Sorry about the wait. We weren’t sure when you would arrive.” He stuck out his hand. “You must be Ellen. I’m Milton.”

Ellen squeezed the man’s hand. Then, not knowing what else to do, she followed him into his office. A dull metal desk filled one half of the room. Files, folders, and yellowed paper covered the desktop and overflowed onto the floor. Milton stooped and removed a cardboard box from his chair, then pulled over a wooden chair for Ellen. 

The white walls held two posters—one had a photo of a kitten clinging to a clothesline and the words “Hang in There” scrolled across the top. The other sign featured a montage of at least thirty images. A sheet-covered cartoon ghost held the center square, surrounded by several other pictures that looked like they belonged on the covers of horror novels. There was a gnarled being with knife-sharp nails, a thin man with solid black eyes, and a transparent, shrouded figure. As she stared at the poster, one of the images, a woman clothed in a long black dress, waved at Ellen.

“Where the hell am I?” she asked.

Milton’s face turned red. “You’re not in…” He coughed, “…that other place.” He shuffled a stack of papers and pulled out a glossy brochure. Handing it to Ellen, he said, “This is the Career Placement Agency for the Afterlife.”

“Wait.” Ellen fanned herself with the flyer. “I’m dead?” How could this be? She had celebrated her 71st birthday last month, but she had also received a perfect checkup from her doctor.

“You expired this afternoon.” Milton laced his fingers together. “Heart attack and drowning.”

How embarrassing. Ellen always assumed she would pass quietly in her sleep at age 101. What a ruckus she must have caused. Trina would never forgive her for insisting on tromping around in the summer heat instead of enjoying an afternoon matinee in an air-conditioned movie theater. Her sister loved the movies. Trina would have to find someone else to share her senior discount pass at Movie Plex.  

“I thought the afterlife was filled with harps and angels, not work.” Ellen held up the brochure. The cartoon ghost from the wall poster graced the cover. The title, written in Comic Sans font, read “Guiding Your Choice for Eternity—A Mosaic of Diverse Opportunities.”

“These experiences are designed to bring purpose to your life after death. I’m here to guide you in choosing which form your spirit will take.” Milton pointed behind him, to the collage of images. “Each afterlife represents at least one of our six core skills—comfort, entertainment, education, inspiration, caution, and remembrance. For example, you could choose Lady of the Lake or ectoplasm entity.”

“I drowned in the damn koi pond, Milton. I can’t imagine haunting knee-deep water for the rest of my time. And that ecto thing just looks like a blob of green goo.”

“You have leftover anger issues. Maybe a spot as a poltergeist?”

Ellen huffed. “Spend eternity chunking pots and pans in someone’s kitchen?”

“It’s not just pan chunking.” Milton sat up straight. “It’s entertainment.” When Ellen didn’t respond, he continued. “Do you like travel? I have an opening for a Vanishing Hitchhiker.”

“Can I give it a trial run?”

Milton clapped his hands. “Of course! I’ll see you back in a week.”

After the first three nights of waiting on a desolate country road for a car to pass by, Ellen wished that time would pass more quickly in the afterlife. The fourth night, a farmer in a rusted pickup with bad shocks gave her a ride. Grateful for the company, she forgot to vanish, and rode with him into town. She had to walk the six miles back to her post.

When the week was up, she met with Milton again. Her past wasn’t dark enough to qualify her as a revenant. She wasn’t deeply melancholic, so wraith would not be a good fit. She would end up a ghost orb, floating over a swamp and being mistaken for a ball of gas.

“What else is there?” Ellen pointed to the cartoon ghost in the collage. “How about that one, but without the sheet?”

Milton sighed. “I hoped to place you in an entertainment or inspiration position. Most of the other careers require a commitment to a static location.”

“That’s fine. And I know a perfect place.”

Ellen floated along at Movie Plex, creating cold spots in the ladies’ restroom and leaving the scent of popcorn in newly cleaned theaters. Her sister bought a ticket the second week, for the new Tom Cruise flick. Ellen settled in the empty seat next to her and whispered, “Hello.” When Trina turned her head to peer at the vacant spot, Ellen waited until the air conditioning kicked on with a burst of cold, then brushed a strand of hair from her sister’s face.  

“Well. Hello,” Trina said, and smiled. 

THE END

The Guardian


To her chagrin, she discovered that the entrance to the underworld was not guarded by Cerberus, the monstrous three-headed dog, but rather by a small, disgruntled toad.